Hydrogen est un logiciel de MAO qui ressemble beaucoup à Fruity Loops à la différence qu'il est complètement gratuit. Le programme intègre. Hydrogen est un logiciel de batterie. compositions ou recréer des morceaux exitant, tout est possible avec Hydrogen. Hydrogen: Présentation télécharger. com Télécharger Hydrogen gratuitement. Version: Licence: Logiciel libre. 8 janv. Hydrogen est une boîte à rythme virtuelle qui vous permet d'émuler des Hydrogen: Présentation samuelmancinos.info Note: - 64 bits.

Nom: hydrogen 0.9.7
Format:Fichier D’archive
Licence:Libre (*Pour usage personnel)
Système d’exploitation: iOS. Android. Windows XP/7/10. MacOS.
Taille:13.56 Megabytes

While the simplified definitions help new users start using Hydrogen quickly, they can lack the nuances presented here. Then the fader on the mixer. Keep an eye on each vu-meter and if distortion appears, turn the volume down for that instrument. Il vous donnera un 'clavier-piano' complet et vous pourrez donc facilement inscrire vos envies. Enregistrer - Enregistrer les changements du morceau actuel. As soon as you change one of the settings of a channel strip the instrument will be selected. Si vous utilisez Hydrogen comme un instrument, il y a de grande chance que le mode Piano soit pour vous. Elle marchait déjà bien. Inserting Notes in a Pattern 3. Normally this parameter should be set to the length of the part of the sample between the Start and End marker, expressed in number of beats.

Hydrogen. Alpha. Alessandro Cominu. rate. 0. Advertisement Hydrogen screenshot 1. Hydrogen screenshot 2. Informations techniques. Licence: GNU. Téléchargez Hydrogen Alpha 1 Logiciel de musique assistée par ordinateur avec boîte à rythmes. Hydrogen est un logiciel de création musicale très simple à utiliser. Créez vos rythmes et vos boucles, mixez, créez des samples ou utilisez ceux de la banque .

The ADSR will not be longer than your sample. If you have a short sample, it doesn't matter how long you set the attack and delay — the sample will stop playing at the end. Things change with the sample rate. If you have a really nice setup with all your parameters painstakenly tweaked Many of Hydrogen's internal settings and parameters are based on how many samples go by, not on how many seconds go by.

The sorts of things that change are: anything time-base like attack and release and anything frequency based like the cutoff frequency. In this section you can find more info about defining MIDI actions and how they can be useful for you.

If you look at the Events list you will see that there are 3 types of Events available as described in the Midi standard :. CC : controller commands coming from faders or rotary controllers. The Param. You can also activate the Midi learn function by Shift-clicking most of the gui elements. A 'Waiting for Midi input If you Shift-click on a gui element that does not support Midi automation a popup will inform you.

Next is a list of the available Actions: an Action describes what Hydrogen should do when a specific Midi Event is detected. The Parameter usually references a specific channel, instrument, FXsend Keep in mind that the Parameter value is zero-based. So if you want to reference channel 1 you have to enter '0' in the Parameter field 1 for channel 2, 2 for channel STOP : stops playback and returns to the start of the song.


MUTE : mutes the the Master output sequencer keeps running. This means that the time changes depending on the sample rate of your sound card. The max time for each of them is , audio samples typ. This section is a quick-and-dirty walkthrough to Hydrogen. Refer to the tutorial for a more detailed overview. When "Pattern" mode is activated the current pattern is continuously repeated.

This mode is very well suited to tweak your pattern until it's just right, since the pattern you are working on is constantly repeated. This way you can immediately hear the changes you have made. In "Song" mode the whole song is played. This is useful when putting together the patterns to create the structure of the song.

We'll start from the empty song with an empty pattern created when Hydrogen starts up: "pattern" mode should be selected by default. Adjust the grid resolution and BPM speed if needed.

Be sure to select the correct pattern in the Song Editor before adding notes in the Pattern Editor! Every line features 3 buttons , pan adjust , current maximum peak, volume fader and name of the track. Clicking on will play the selected instrument, cutting the others. The "Mute" button , simply mute that instrument.

The maximum peak indicates the maximum volume reached from the instrument. The peak must be in a range of 0. Peaks outside that range will get distorted especially with OSS audio driver. Keep an eye on each vu-meter and if distortion appears, turn the volume down for that instrument. This is a glossary of general terms encountered when using Hydrogen, synthesizers, drums, or samplers.

The definitions here provide more detail and explanation than the simplified ones in the text. For example, the text of the manual would have you believe that an ADSR is the only kind of envelope generator and could only ever control the volume. While the simplified definitions help new users start using Hydrogen quickly, they can lack the nuances presented here.

A type of envelope generator that allows you to control the Attack , Decay , Sustain , and Release parameters. Generally, the parameters are proportional to the velocity. This is the first phase of an ADSR envelope, and is the amount of time to turn the parameter up from 0 to full velocity after triggering the note.

LibraZiK 1.3 : Premier pas (20160704)

A filter that preserves a certain band of frequencies, and attenuates silences all others. This is often done by combining a high-pass and a low-pass filter. A phenomenon that happens to a signal when the signal is too large for whatever is receiving it.

The peaks of the signal which are normally smooth curves get cut off straight at the max volume clipped. This distorts the sound and is usually undesirable. An example of clipping is when you play music louder than your speaker can handle. Parts of the music sound harsh and fuzzy.

On high-pass and low-pass filters, this is the frequency that divides between those that pass, and those that are attenuated silenced. In a high-pass resonance filter, or a low-pass resonance filter, the cutoff is also the frequency zone that gets boosted. For example, if you have a low-pass filter and you set the cutoff frequency high i.

All the audible frequencies will pass through undisturbed. As you lower the cutoff frequency to something like 40 Hz the low string on a bass guitar , it sounds like someone is putting a blanket over the speaker. The higher frequencies are being attenuated above 30 Hz. After reaching full velocity from the attack, this is the amount of time to turn the parameter down from full velocity to the sustain level.

DC offset is usually undesirable. For example, in audio processing, a sound that has DC offset will not be at its loudest possible volume when normalized because the offset consumes headroom , and this problem can possibly extend to the mix as a whole, since a sound with DC offset and a sound without DC offset will have DC offset when mixed. It may also cause other artifacts depending on what is being done with the signal. A way to control change a parameter over time as a response to triggering, holding, and releasing a note.

Imagine that you're playing a note on the keyboard and you have your other hand on a knob volume, filter cutoff, etc. As you play the note, you twist the knob often up, then down You do the same thing on each note. That's what an envelope generator does. See also ADSR. A slider control used to adjust the attenuation volume in a mixer. Faders always have an "audio" taper, which means that the attenuation amount changes on an exponential scale.

A device that changes a sound by attenuating specific frequencies. A tone knob is an example of a simple, low-pass filter. In an amplifier, this adjust how much or how little a signal is amplified volume.

A higher gain value is a louder signal. A filter that attenuates silences low frequencies, but allows high frequencies to pass through. Voir aussi Filter , Cutoff Frequency. In an instrument you can load several different samples each one called a layer , and have a different sample play depending on the velocity of the note.

Only one sample at a time will play. Suppose you have a sample of a floor tom being struck softly. If you simply play the sample louder — it will not sound the same as a real tom that has been struck very hard. If you wish to mimic this in your instrument, you can load one sample for soft playing, and a different sample for loud playing. A filter that attenuates silences high frequencies, but allows low frequencies to pass through.

A group of instruments samples that should mute stop playing immediately after another instrument in the group is triggered. This is typically used in hi-hats, where there's a different instrument sample for when the hi-hat is open or closed.

With a real hi-hat, the sound of the open hi-hat will stop as soon as you close it. However, if you use two samples — the open sound will continue even after you have triggered the closed sound. By placing both instruments in the same mute group group 1, for example A span of frequencies where the top-most frequency is exactly twice the frequency of the bottom frequency.

For example, the range 20 Hz to 40 Hz is an octave. So is Hz to Hz, and Hz to Hz. While the frequency differences are very different 20 Hz, Hz, and Hz, respectively , to the human ear they sound like the same distance. After the note is released, this is the amount of time to reduce the parameter from the sustain level to 0. When referring to a resonance filter, this is the parameter that determines how much of a boost gain to give the frequencies at the cutoff.

A filter that gives a large boost to a very narrow range of frequencies. Typically it will be part of a high-pass or a low-pass filter, where the boosted frequencies are centered on the cut-off frequency.

Voir aussi Filter , Cutoff Frequency , Resonance. For example, in a low-pass filter the frequencies below the cutoff frequency are not attenuated they pass-through with the same volume. Same with the cutoff frequency. As you go above the cutoff frequency, the frequencies that are near the cutoff frequency are not attenuated very much at all. However, the frequencies that are much higher than the cutoff are attenuated suppressed a lot. This is usually approximated by a straight line on a log scale and measured in in dB of attenuation per octave of frequency.

Voir aussi Attenuation , Filter. The level to hold the parameter after finishing the decay time. This level will be maintained until the not is released. MIDI devices are required to send this information along with the note.

Synthesizers use this information to adjust several parameters on the sample typically the volume. In Hydrogen, it is only used to adjust how loud the sample is played back. Manuel d'Hydrogen. Antonio Piraino. Alessandro Cominu. Thijs Van Severen. Sebastian Moors.

Table des matières 1. Introduction 1. Téléchargement 2. Construction 3. Préférences 2. Utilisation d'Hydrogen 1. Utiliser les Types-de-Fichiers 2. The main User Interface : an overview 3. Menu principal 4. La barre d'outil principale 5. Éditeur de morceau 6. Éditeur de motif 7.

Mixeur 8. Drumkits and Instrument Editing Midi 3. A new song 1. A new pattern 3. A new sequence 4. Adjust from the mixer 4. Shortcut lists Glossary. Liste des illustrations 1.

L'Onglet Général 1. L'Onglet de Système Audio 1. L'Onglet Apparence 1. L'onglet Moteur Audio 2. The Main UI in Tabbed mode 2. La Barre d'Outils Principale 2.

L'Éditeur de morceau 2. The Pattern Options menu 2. Export a song 2. Éditeur de Motif en mode Drum 2. Contrôles de l'Éditeur de Motif 2. L'Éditeur de Motif en mode Piano 2. Le Mixeur 2. Select an Effect 2. The Soundlibrary 2. Import Drumkit 2. The Instrument editor General view 2. The Instrument editor Layers view 2. The Sample Editor 3. The Pattern Editor 3. Inserting Notes in a Pattern 3. Le Mixeur. Préférences 3.

L'onglet Général 3. L'onglet Système Audio 3. L'onglet Système Midi 3. L'onglet Apparence 3. L'onglet Moteur Audio débug seulement. L'onglet Général. L'Onglet Général. L'onglet Système Audio.


L'Onglet de Système Audio. L'onglet Système Midi. L'onglet Apparence. L'Onglet Apparence. L'onglet Moteur Audio. Utilisation d'Hydrogen. La barre d'outil principale 4. Tap Tempo et Compteur de Pulsation 5. Éditeur de morceau 5. Main controls 5. Tempo markers and song Tags 5. Patterns options 5. Exporting your song 6. Éditeur de motif 6. Contrôles de l'Éditeur de Motif 6. Kit de batterie de l'Éditeur de Motif 6.

Zone de Séquence de l'Éditeur de Motif 6. Propriétés de la Note de l'Éditeur de Motif 6. Mode Piano de l'Éditeur de Motif 7. Mixeur 7. Instrument channel strips 7. Master section 8. Kit de Batterie Système 8. Adding User Drumkits 8.

Songs in the Sound Library 8. Patterns in the Sound Library 9. Drumkits and Instrument Editing 9. Concepts 9. Creating a New Drumkit 9. Instrument Parameters 9. Creating an Instrument and Layers 9. Sample Editor 9. Tips on Editing Instruments Midi Midi Events Midi Actions. Utiliser les Types-de-Fichiers. The main User Interface : an overview.

The Main UI in Tabbed mode. Menu principal. Undo - Lets you undo your last action Redo - Lets you redo the last undone action Command History - Gives you an overview of your previous actions. Directeur - Ouvre la fenêtre du directeur.

Table de mixage - Ouvre la fenêtre de la table de mixage. Instrument - Ouvre le panneau d'instrument. Montrer les onformations du moteur audio - Ouvre un moniteur avec différentes statistiques debug action - Insère des commandes de débuggage. Print Objects - Print on stdout current objects map. Manuel Utilisateur - Ouvre ue fenêtre avec ce manuel : À propos - La fenêtre habituelle avec l'information de licence, les remerciements, etc.

La barre d'outil principale. Piloter les morceaux par l'utilisation des boutons Jouer, Arrêter, Pause, etc. La Barre d'Outils Principale. Tap Tempo et Compteur de Pulsation. Éditeur de morceau.


L'Éditeur de morceau. Main controls. Tempo markers and song Tags. Patterns options. The Pattern Options menu.

Téléchargement du fichier /Hydrogen/ Binaries/Hydrogenwinexe - Hydrogen - OSDN

Edit : will open the selected pattern in the Pattern Editor. Copy : will copy the selected pattern to a new pattern in your song. Note that patterns with the same name are not allowed. Delete : will completely remove the selected pattern from the song.

Exporting your song. Export a song. Enter a name and location for the export file in the 'Export filename' field Select one of the available templates e. Éditeur de motif. Note If you are editing a pattern in Single Pattern Mode you will always hear the pattern you are editing when you press play. Éditeur de Motif en mode Drum. Contrôles de l'Éditeur de Motif.

SIZE : vous laisse choisir la taille NdT : size du motif le nombre de mesures RES : c'est la résolution de la grille courante de 4 à 64 Souvenez-vous de cette contrainte à propos de la grille : si vous travaillez avec une résolution de 16, vous ne pouvez pas passer à une résolution de 8 et enlever un 16ème de note.

Kit de batterie de l'Éditeur de Motif. Zone de Séquence de l'Éditeur de Motif.


Propriétés de la Note de l'Éditeur de Motif. Vélocité : à quelle puissance la note est jouée le volume de la note Notez que la couleur de la note-point et la barre verticale changeront en fonction de la vélovité que vous avez définie. It's a groove thing ;- Touche : si vous sélectionnez ce paramètre de note, la zone où vous pouvez modifier le paramètre changera en un 'clavier piano'.

Télécharger Hydrogen gratuitement. En savoir plus. Mettez une batterie dans votre ordinateur! Logiciel libre. Linux sources. Vous avez un problème avec ce logiciel, consultez les forums.


Les logiciels les mieux notés de cette catégorie. Tout savoir sur le téléchargement avec 01net. Imprimer cette fiche. Les indispensables de Telecharger. Acrobat Reader DC. Nouveautés loisirs.

Demander un nouvel avis. Commencer par les plus récents les plus utiles. Je cherchais, depuis longtemps, une BàR facile à transporter. Je n'utilise pas son séquenceur car, de manière générale, je préfère les séquenceurs hardware.

Je voulais pourvoir choisir un sample et l'assigner au kick idem pour les autres percus facilement, sans prise de tête. J'avais une Raspberry Pi 2B sous la main qui commençait à prendre la poussière alors j'ai essayé plusieurs solutions. Sur cette carte mère grosse comme une carte de crédit, il ne faut pas d'application trop gourmande.

Hydrogen marche vraiment très bien avec une faible latence. Aucun soucis. Pour ce qui est de la qualité du moteur audio, il est vraiment bon même avec une interface audio usb simple Asus Xonar U3. On peut très bien faire tourner hydrogen sur un pc ou mac, mais sur un mini ordi, c'est vraiment terrible. Preuve de l'efficacité du logiciel.

Prenez le temps de l'essayer, à ce prix vous n'aurez pas mieux. Avez-vous trouvé cet avis utile? Logiciel standalone de batterie. Installation no problemo. Vidéos d 'explication pour l'aide. Pas de samples. C'est de la création. On choisit les kits proposés et on créé ses propres rythmes, fills et songs.